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Pilates studio · RCC Pilates
Design concept for a Pilates studio, 800 m²
Fitness studio · 800 m² · Concept
About the project
Interior concept for the RCC Pilates studio, 800 m²: a competition entry by ARTEVRIKA. Ten areas on one floor: a double-height lobby, a VIP studio, a group studio for up to six people, a gym and a dance studio, showers, a changing room and a service kitchen.
The idea running through the project is quiet motion. The circle, the flowing line and soft reflected light are taken from the practice of Pilates itself and work as the three rules of form from which the whole interior is assembled.
Client request
The studio went into the competition wanting not a room with equipment but a private health club: a space where the level of service is read before the session begins.
Ten functions had to be arranged on one floor, from the front-of-house lobby to the service kitchen, and held to a single character, without letting the studio become a set of unrelated rooms.
Challenge
A sports function sits awkwardly with a front-of-house presentation. The equipment is large and dictates its own dimensions, the floor finishes and the acoustics carry strict requirements, and the privacy of the people training cannot be provided by solid walls, because walls take away the light and air the whole thing was done for.
The second difficulty is the floor area. A 6 m² shower room, the corridors and the waiting areas had to work as part of the club's formal sequence rather than as what was left over after the studios.
Concept
The basis is quiet motion: three rules taken from the practice of Pilates and translated into the language of interior design.
The circle is a symbol of balance and continuous motion. It is repeated in lighting fixtures, mirrors, furniture, and the layout pattern, bringing the space together around the centre.
The line is soft dynamics. A wave runs across the ceilings, the wall panels and the lines of light, setting the direction of the eye and linking the areas to one another.
Light is diffused and reflected. It relaxes while keeping the visibility that safe practice requires: lighting scenarios change the mood of a studio without changing its function.
The palette is built around natural textures: stone, veneer, microcement, PET felt and alabaster. A warm neutral tone runs through all ten areas, so moving between them feels like a continuation rather than a change of scenery.
Result
The concept covers ten areas, and almost every decision answers two questions at once. A partition of shimmering Kriska Chain Wall chains replaces a solid wall: it gives ventilation and a flow of light but hides the silhouettes of the people training from the lobby. A movable mirrored screen along the windows lets the trainer open up the view or, on the contrary, focus the reflections for work on technique. A PET-felt ceiling absorbs sound and carries concealed lighting at the same time.
The work was made for a competition and was never built. We publish it as an example of the studio's approach to public interiors: how a sports function can be fitted into a front-of-house shell without either one losing out.
Trust metrics
800 m²
total floor area
Ten functional areas on one floor, from the front-of-house lobby to the service kitchen.
Zones of the project “Design concept for a Pilates studio, 800 m²”
01 Studio zones
Lobby
The double-height hall is the first thing a guest sees and the first thing that has to explain the level of the club. Crema Marfil natural stone gives a sense of solidity and standing, and a soft felt ceiling with concealed lighting floats above the space, dissolving its edges.
Three MOON lights by Davide Groppi hang like moons caught inside the interior, filling the air with a warm diffused glow. Here sport begins with quiet: privacy, natural textures and light you want to stay in longer than the session.



02 Studio zones
Circulation and waiting
The corridors and waiting areas are not leftover space but part of the club's sequence. Soft armchairs invite a pause before a session, the wave of the ceiling flows like dunes, and lighting on the walls widens the proportions and fills the passage with a warm glow.
The smaller spaces are put together like a jewellery box: light and texture make them read as more generous than they are.



03 Studio zones
VIP studio
The sand-toned VIP studio is wrapped in the warm light of timber and the soft glow of lines of light. Wave-like elements on the walls and ceiling suggest water and wind, reinforcing the idea of quiet motion.
A PET-felt ceiling flows over the studio like dunes under the wind: it absorbs sound, deepening the quiet, and gives off a warm light. Underfoot is Bolon vinyl flooring with a texture of sand and water; the walls are Wescom Dunas vinyl wallpaper on a cotton backing, made for heavy use.
Alabaster light fittings by Centrsvet and natural stone on the window reveals turn light into a soft prism: the beams refract through the depth of the stone and fill the studio with a living glow.






04 Studio zones
Group studio
A studio for small groups of up to six people. The soft alabaster light and the tactile floor textures keep the same character as the VIP studio, while sliding mirrored screens let the trainer adapt the room to the movement being taught.
Two bespoke solutions remove the conflict between privacy and light. The Kriska Chain Wall partition of shimmering chains replaces a solid wall: it gives ventilation and a flow of light but hides the silhouettes of the people training from the lobby. A hybrid screen along the windows uses movable mirrors, with which the trainer opens up the view or, on the contrary, focuses the reflections.



05 Studio zones
Showers and washroom
Six square metres treated as an intimate sanctuary. Wavy walls in warm beige microcement bend like surf, and the Antonio Lupi sanitaryware dissolves into pure geometry, with no visible taps or bowls: the water finds its own way across the surface.
A ribbed metal ceiling shimmers with a ripple of water: light reflected in the uneven surface scatters and creates a sense of seclusion. The forms embody water in all its states, from spray and foam to a still surface.






06 Studio zones
Gym
A boutique space for strength and endurance: treadmills and cardio machines by the panoramic windows, areas with benches, plates and kettlebells arranged into an intuitive route.
The gym keeps the same discipline as the rest of the studio: no accidental details, only comfort, control of the body and the feeling of serious club training.





07 Studio zones
Changing room
A calm continuation of the club's formal part. Plain white lockers with electronic locks take away any worry about keys, and considered circulation lets people change without getting in each other's way.
Ladies’ essentials and small conveniences are set up so that after the workout you can gather yourself without rushing and continue your day.

08 Studio zones
Dance studio
The light core of the studio changes function on demand. Stackable furniture disappears quietly, freeing the floor for dance, small events, talks or brand evenings.
Every changeover is like a scene change in the theatre: quick, silent, with no compromise on how it looks. Multifunctionality does not read as a compromise here: the space works to the owner's scenario while keeping its air and its control of the environment.



09 Studio zones
Kitchen
An invisible but essential piece of the service. A compact space behind the reception desk, where the receptionist brews freshly ground coffee and makes the house tea: a small ritual before and after a session.
An ergonomic layout, concealed storage and professional equipment allow quick, tidy work with no visual noise in the front-of-house area.

10 Studio zones
Façade
A historic building with a brick façade. Evening lighting in the windows and a spare entrance make the studio recognisable from the street without competing with the architecture of the building.


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FAQ
Frequently asked questions about the project
FAQ
Frequently asked questions about the project
How much does the design of a Pilates studio or fitness club cost?
It is calculated by floor area and by the number of functional areas, not on a single rate per square metre. RCC Pilates has ten of them across 800 m², from the front-of-house lobby to the service kitchen, and they differ in services and finishes: studios, wet areas and plant rooms all cost differently. We put the exact figure together after the brief and the survey.
How do you arrange ten different studio functions on one floor?
Through a device that runs all the way through, not through partitions. At RCC Pilates the link is quiet motion: the circle, the flowing line and diffused light repeat in every area, so moving between the lobby, the studios and the changing room feels like a continuation rather than a change of scenery. A warm neutral tone runs through all ten areas.
How do you ensure privacy in the studio without installing solid walls?
A solid wall takes away the light and air the space was designed for. Here it is replaced by a partition of shimmering Kriska Chain Wall chains: it lets light and ventilation through but hides the silhouettes of the people training from the lobby. Along the windows there is a movable mirrored screen, with which the trainer opens up the view or focuses the reflections for work on technique.
What materials work in a high-end sports interior?
Natural textures that take heavy use and do not look like a gym: Crema Marfil stone mosaic, seamless microcement, veneer, alabaster light fittings and acoustic PET felt. The palette holds to a warm neutral tone, and texture does the work of decoration.
How are the acoustics of a group studio handled?
Through the ceiling. At RCC Pilates it is made of PET felt: the material absorbs sound in the studio for groups of up to six and carries concealed lighting at the same time. One decision covers both acoustics and light without adding another layer to the interior.
How does the interior concept differ from a complete design project?
A concept answers the question of what the space will be like: zoning, style, materials, light and visualisations. The drawings, details and specifications used to build from are technical documentation, a separate stage. RCC Pilates was made for a competition and was never built, which is why it is published as a concept.